Exactly, which means you don't know about the character as much as comic book fans. He's existed in the superhero world far more that 4 hours of movie.
If you want to talk about superheroes, I'm here all day. Later, Francis.
Again I agree with Scorsese. While I don't watch the recent incarnation of superhero CGI movies for the grown ass man that wants to run around his neighborhood in a cape and speedo I have seen the TV commercials and the trailers in the theatre as well as what I hear from my son. So your given name is Francis?
BTW definition of 'spoof'- a
mocking imitation of someone or something, usually light and good-humored; lampoon or
parody
‘Deadpool’ as a Parody of the Superhero Genre
Nick Poulimenakos on February 11, 2018
Written By: Nick Poulimenakos
Dating back to the 1960’s, films began to merge the comedic, romantic and satirical aspects of films with the busy and broad action sequences such as car chases and searching for a McGuffin in which rather whacky and crazy characters became involved in hyperactive action. The action-comedy hybrid genre eventually branched off into parodies of action films including the
James Bond action-spy-comedy parody by Mike Myers,
Austin Powers and the “Matt Helm” series which starred Dean Martin. Modern cinema has popularized the hybrid action-comedy genre with such films like
The Other Guys (2010), and
Zombieland (2009), which continue the trend of comedic sequences mixed with high-octane action, but also increase the level of violence in the film to make for a grander spectacle and an increase in raunchy, more explicit comedic tendencies. This is evident in Tim Miller’s entry into 20th Century Fox’s ongoing X-Men film franchise,
Deadpool (2016).
Deadpool is originally a comic book character, created by Rob Liefeld and Fabian Nicieza in 1991 for Marvel Comics. Deadpool is described in the academic journal article,
A Librarian’s Guide to Marvel Comics as being a “costumed free-lance killer for hire… with a powerful natural healing factor” (Lavin 12) and has evolved from being a supervillain to a well-known anti-hero with enhanced superhuman abilities.
The character itself is actually a
parody of popular DC Comics supervillain/anti-hero, Slade Wilson aka Deathstroke. When Liefeld showed his first designs for the character, Nicieza called him and stated “This is Deathstroke from the Teen Titans” (Polygon.com). However, the two creators decided to go ahead and create the character, even going so far as to
mock Deathstroke’s real name by naming Deadpool “Wade Wilson.”
Deadpool was a character that comic book fans everywhere had been clamoring for to get a film adaptation and their wishes came true with the release of the 2009 film,
X-Men Origins: Wolverine. However, the character was heavily altered as he was nothing like his self-aware comic book counterpart and the film received overwhelmingly negative reviews. 20th Century Fox then decided to reboot the character entirely bringing in director Tim Miller and writers Rhett Reese and Paul Wernick, to create a more accurate depiction of the character. The 2016 film relies heavily on a vulgar comedic style, ultra-violence with an emphasis on the splattered blood, a mix of practical and CGI stunt work and inside jokes about how the film
parodies other superhero films in the genre.
****************This essay will outline, theoretically, what a parody is and the aspects that make a film a parody, explaining what specifically makes the
Deadpool film a parody and finally, situating the selected film against the background of its serious and suspenseful action cinema sub-genre for comparisons to other modern-era superhero/action films.*************
Written By: Nick Poulimenakos Dating back to the 1960’s, films began to merge the comedic, romantic and satirical aspects of films with the busy and broad action sequences such as car chases and se…
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